Sail aboard the wonderful Excelsior as part of an immersive residency, 23 May to 11 June 2024, journeying from Orkney to the Faroe Islands and Shetland.
Read more and apply here by responding to the prompt: Fracture, a Question for Humanity.
The residency is a collaboration between Utter Nonsense, Original Errant and The Excelsior Trust.
Smetana, Ma Vlast – Vltava
Prokofiev, Piano Concerto No. 3 with soloist, Tsz Hin (Bendit) Chan
Dvořák, Symphony No. 8
Beethoven, Overture – Coriolan
Mendelssohn, Violin Concerto with soloist, Yunus Eshekh-Alonso
Mozart, Symphony No. 41, ‘Jupiter’
Join John Scott Martin FRSA, President of the Royal Society of Marine Artists (RSMA) and me to discuss Eco Sail Cargo: how this will shape the future of sustainable goods transportation and passenger travel. At Guild of Ships, we were delighted to collaborate with RSMA and the sail cargo community at the RSMA Annual Exhibition in the Mall Galleries, September 2023.
Johann Strauss II: Overture – Die Fledermaus; Im Krapfenwald
Josef Strauss: Moulinet Polka; Plappermäulchen – Polka schnell
Johann Strauss I: Loreley-Rheinklänge; Radetzky March
Brahms, Hungarian Dances No.s 5, 6 & 7
Delibes, Waltz and Mazurka – Coppelia
Rota: Love Theme and Waltz – The Godfather
Shostakovich, Jazz Suite No. 2
Mascagni, Intermezzo – Cavalleria Rusticana
Wood, Hornpipe from Fantasia on British Sea Songs
Sullivan, Overture – HMS Pinafore
Anon (shanty) arr. Carslake, Blow the Man Down
Britten, excerpts from Four Sea Interludes
Rossini, storm from The Barber of Seville
Grieg, storm from Peer Gynt Suite No. 2
Anon (shanty) arr. Carslake, Wellerman
Bacewicz, Overture (composed 1943)
Gregson, Tuba Concerto with soloist, Charlie Jones
Strauss, Serenade for Winds
Brahms, arr. Schönberg, Piano Quartet in G minor
Sarah Frances Jenkins, And the Sun Stood Still
Nielsen, Helios Overture
Sibelius, Nightride and Sunrise
Rachmaninov, Symphonic Dances
I’m honoured to have been appointed Artistic Director of St Alban’s Symphony Orchestra (SASO). SASO is a wonderfully warm community orchestra that performs to a high level. We collaborate with established soloists, and our leader is the superb Charlotte Fairbairn.
Sadly, SASO lost its much-loved Principal Conductor, Tom Hammond. Tom was appointed in 2016 but passed away suddenly in December 2021. We will never forget him. His dedication to music and to his colleagues and friends was extraordinary.
When the SASO committee asked me to take on the next three concerts before opening the process of finding a new conductor, I inherited Tom’s rehearsal schedule. This schedule had detailed timings for every piece, for the rest of the season. I followed it to the letter and it worked a dream. It was a testament to the incredible amount of care with which he approached his career and colleagues.
Tom was founder and Co-Artistic Director of Hertfordshire Festival of Music which launched in 2016 and has quickly become one of the main classical music festivals in the UK. He was Music Director of Hertford Symphony Orchestra and Finchley Symphony Orchestra, and was very busy in the UK and abroad. This was recognised when he was appointed an Associate of the Royal Academy of Music in 2010, and later when London’s Sinfonia Tamesa appointed him Conductor Emeritus in 2019.
Tom also worked in the Middle East, conducting ensembles at the Edward Said National Conservatory of Music in Palestine – including the Palestine Youth Orchestra – and adjudicating for the Palestine National Music Competition. In the UK he adjudicated for the Royal Birmingham Conservatoire, Oxford University, Trinity Laban Conservatoire and the Croydon Performing Arts Festival.
Alongside his practical music-making, Tom was a much-respected producer with Chiaro Audio. His work there was released on Resonus Classics, First Hand Records and the Edition Peters label.
As it happens, Tom and I shared a love of ancient walking routes in the UK and Europe, and he introduced me to the Harrow Way (or Harroway), the Stone-Age route that stretches from Devon to Dover.
Here’s to you, Tom.
I’m very happy to join John Scott Martin, President of the Royal Society of Marine Artists for an interview with Peter Warren of Resonance FM. We’ll be talking about the RSMA annual exhibition at the Mall Galleries, 21-30 September. This year the exhibition focuses on sail cargo and there is a wall dedicated to the movement. As Co-founder of Guild of Ships, I’m delighted to be part of an advertisement in the catalogue that showcases incredible sail cargo companies and initiatives and explains more about the sector.
Listen in at 104.4 FM at 3.00pm! The ‘Listen’ button is at the top right in the Resonance FM link above. Resonance FM – ‘The best radio station in London’ (The Guardian) – is a charity and a force for good in London. If you don’t know it, do try it!
Later on the 19th Wille Christiani from Grayhound Shipping (and fellow Co-founder at Guild of Ships) will join John Scott Martin for an interview with Bryony Collins at the respected Carbon Pulse platform.
I was honoured to have permission from the National Parks and Wildlife Service to live quietly on this stunning bog. One of the largest bogs in Ireland’s ‘Living Bog‘ conservation project, Carrownagappul is of international significance. Having been heavily drained for peat cutting, the bog has now been re-wetted (by the laying of thousands of large-scale blocks in the drainage channels) and rejuvenated, with the support of the local community. Peat bog restoration in Ireland has instant repercussions for local people who have the right to cut and burn its peat for fuel. I was very happy to visit the local interpretative centre, and was treated to a warm welcome by Maura and the team.
I was also thrilled to meet the internationally recognised photographer, Tina Claffey, who specialises in the macro photography of Ireland’s wetlands. Her books, Tapestry of Light and Portal are a must-read for anyone interested in these delicate and ancient ecologies. Did you know that although only 3% of the world’s surface is bog, it represents twice the carbon efficacy of all the world’s trees and forests?!
This research is for a commission from the Harry Woolhouse Trust for a piece to celebrate the 25th anniversary of Imperial College Sinfonietta, London. Come and hear the piece, Carrownagappul, on Sunday 9 June in the Great Hall, Imperial College, London, 7pm, in an event that will feature the current orchestra and alumni players from the last 25 years.
Ravel, Piano Concert in G
Grieg, Peer Gynt Suite No. 2
Dvorak, Scherzo Capriccioso
Plus chamber music by Smetana, Dvořák and Beethoven
Elgar, Froissart Overture
Britten, Serenade for Tenor, Horn and Strings
Elgar, Enigma Variations
Soloists: Alison Wyld (French Horn) and Ruairi Bowen (Tenor)
Supported by the Elgar Society
Nielsen, Helios Overture; Beethoven, Leonore Overture No. 3; Grieg, Morning Mood; Schumann, Symphony No. 3, ‘Rhenish’
Cesar Franck was one of the great organ improvisers – and an inspiring teacher to a generation of French composers. It’s probable that Debussy’s structural innovations (his String Quartet, for example) wouldn’t have come to pass were it not for the circular forms created by his teacher. Cesar Franck’s Symphony in D Minor takes a ‘cross’ motif that Bach would have recognised. He then meditates on it over the course of a three-movement symphony. Every theme and instrument is given its full character and space, like the organ stops and architecture of his beloved Saint-Clotilde in Paris. The recurrence of the cross motif brings us around with perfect timing to a blazing finale, with four trumpets blasting away jubilantly.
We are delighted to welcome back Aishwarya Swaminathan Saravanan, who led Sinfonietta for two years as an undergraduate. Her rendition of Mendelssohn’s Violin Concerto in E Minor is passionate and inspiring. And the programme begins with Sibelius’ rousing Finlandia.
It’s a delight to collaborate again with Crendon Chamber Orchestra. I’m looking forward to exploring Vaughan Williams’ amazing evocation of lark-flight with violinist, Madeleine Pickering.
We will pair the Vaughan Williams with another outdoors gem: Maxwell Davies’ Farewell to Stromness, arranged for strings by Rosemary Furniss.
Two large-scale works for chamber orchestra complete the programme: Dvořák’s Czech Suite is a masterclass in Czech dance rhythms, richly characterised by superb orchestration; and the concert opens with Malcolm Archer’s Variations for Orchestra on a Theme of Ruth Gipps.
I hope to see you there!
I’m over the moon to be collaborating with a wonderful professional orchestra on a project featuring my compositions. More on that very soon.
In other news, the Harry Woolhouse Charitable Trust are commissioning a work by me for Imperial College Sinfonietta, to be performed next summer. More on that soon, too; but think bogs… think peat… think space. Bogs are our glaciers in UK and Ireland. They move, they breath, they shield.
Also, I’m delighted that Sands Films Studios want to feature The Singing Glacier in a festival in March 2023.
Finally, listen to this: Cliffs, by Garefowl, inspired by St Kilda. St Kilda has the highest cliff in the UK, Connachair, which falls 1401 ft to the sea. These sounds call me towards a sail voyage in 2025 to the great cliff of Cape Enniberg in the Faroe Islands – a staggering 2474 ft drop. Thank you, Anna Lowenstein, for the recommendation.
What a joy this was. So good to be making music abroad again! Fantastic to be part of the combined energies of Imperial College Symphony Orchestra and Imperial College Sinfonietta.
It was a great pleasure to share the podium with Oliver Gooch; and the Imperial students were true ambassadors for Imperial College. At every turn we were bowled over by the hospitality and attentiveness of our Czech colleagues, as well as the audiences in St. Simon & Jude, Prague; St Ann’s, Karlovy Vary; and Jindřichův Hradec Castle. Huge thanks to the student committees, and to the tour consultants, ACFEA.
Two days short of Independence Day, SASO will celebrate with two American classics: Dvorak, Symphony No. 9, ‘New World’ and Barber, Violin Concerto, with soloist David Le Page. The concert also features the ballet music from Holst’s opera, The Perfect Fool.
This concert is dedicated to the memory of Tom Hammond, SASO’s Principal Conductor, who died in December 2021. One of Tom’s passions was the music of Sibelius. We will celebrate Tom by performing Sibelius, The Swan of Tuonela.
I am delighted to have been commissioned by the Harry Woolhouse Charitable Trust to write a new work to mark the quarter-centenary of Imperial College Sinfonietta. To be performed in 2023/24. The piece will reflect the adventurous spirit of Harry Woolhouse and Sinfonietta. It’s a fantastic opportunity to celebrate the Sinfonietta community and, in particular, the amazing work that current members and alumni do in the field of climate adaption. More details soon.
Imperial College Sinfonietta was joined by alumni from the past 25 years for a festival weekend, culminating in a concert given by a massed orchestra of over 100 players. We were delighted to welcome back the founding conductor, Daniel Capps, to conduct Prokofiev, Symphony No. 5. We were also thrilled to perform Schumann, Cello Concerto, with alumnus, Elizabeth Porter. Our Honorary President, Sir Robert Lechler, gave a welcome speech.
The weekend was an opportunity for the wider Sinfonietta family to meet and reminisce, and a wonderful time was had by all. It was also a golden opportunity for us to highlight the work of the Harry Woolhouse Charitable Trust, named after alumnus, Harry Woolhouse. The trust supports the current membership, and the long-term future of the orchestra.
FSO gave a beautiful performance of Mahler’s Symphony No. 1 in Princes Hall to mark the end of our 100th Anniversary Season. We opened the concert with Joby Talbot’s Chacony in G minor, composed for the BBC Proms in 2011. Mozart’s Symphony No. 35, ‘Haffner’, completed a glittering musical offering that brought nearly 80 musicians together before an appreciative audience.
FSO is grateful to the sound engineer and producer, Haresh Patel, for recording the premiere live.
FSO performed Disco Ball – Mountain Hare in a Scottish themed concert that included Mendelssohn’s Hebrides Overture and Scottish Symphony.
Disco Ball – Mountain Hare was inspired by my research into Mountain Hares in the Cairngorm mountains, Scotland, and was supported by a Finzi Trust Scholarship. There is also a version for violin, cello, piano and clarinet. The title Disco Ball – Mountain Hare is shared by an extended travel essay I wrote about the research process called Composing with Hares. You can read extracts from that, and about the disco ball metaphor here.
A beautiful programme in the fabulous acoustic of the cathedral. We are joined by soprano, Jessica Cale, organist, Andrew Parnell, and Gloriana choir, under their director, Deborah Miles-Johnson. Tickets.
Poulenc: Ave verum corpus
Debussy: Nocturnes
Canteloube: Chants d’Auvergne
Faurè: Cantique de Jean Racine
Saint-Saëns: Symphony No.3, Organ Symphony
Rimsky-Korsakov, Capriccio Espagnol; Dvořák, Carnival Overture; Sibelius, Symphony No. 2 in D.
The students of Imperial College Sinfonietta celebrate their upcoming holidays with two glittering orchestral showpieces and Sibelius’s soaring second symphony. Advance tickets here (select ‘non-student tickets’ in the drop-down menu) for £8 or £9 on the door. Map here.
Arnold, Clarinet Concerto No.2 with Mark van de Wiel; Arnold, Symphony No. 5; Brahms, Symphony No. 3.
St Albans Symphony Orchestra (SASO) celebrates Malcolm Arnold’s centenary year with these two stunning works, in a programme designed by SASO’s much-missed principal conductor, Tom Hammond. It’s a great pleasure for us all to work with Mark van der Wiel, Principal Clarinet of the Philharmonia, in Arnold’s super jazzy concerto, written for Benny Goodman. Brahms’ third symphony rounds off an evening of uplifting and moving music-making. I’m honoured to be conducting SASO this season. Information and tickets here.
Arnold, Concerto No.1 for Flute and String Orchestra with Sirius Chau; Dag Wiren, Serenade for Strings; Sibelius, Suite Champetre; Janacek, Idyll for String Orchestra.
Beginning with a chance to hear the highly-acclaimed young flautist, Sirius Chau, the programme ends with a delicate Sibelius suite and an early work of Janacek that includes one of the most beautiful tunes in 5-time ever written.
The collaboration between Orlando and CCO will be stunning. Enjoy it with the loyal CCO audience in the beautiful accoustic of St Mary’s, Thame. Tickets and details. All the best to everyone for a fantastic concert. I look forward to reuniting with CCO soon!
Farnborough Symphony Orchestra is brilliant for performing contemporary music. Recent concerts have included works by Charlotte Bray, David Matthews and Elizabeth Winters. We are also proud to run the Farnborough Young Composers Competition.
I’m thrilled that FSO performed Disco Ball – Mountain Hare in this Scottish themed concert which also included Mendelssohn’s Hebrides overture and his Scottish Symphony.
Disco Ball – Mountain Hare was inspired by my research into mountain hares in the Cairngorm mountains, Scotland, and was supported by a Finzi Trust Scholarship. There is also a version for violin, cello, piano and clarinet. The recent change of title to Disco Ball – Mountain Hare brings the piece in line with the extended travel essay I wrote about the project called Disco Ball – Mountain Hare: composing in the Cairngorms. You can read extracts from that and about the disco ball metaphor here.
‘Ten years ago everybody thought it was crazy to transport goods in sailing ships. Now it is a rising trend for companies to watch their entire production chain for sustainability. Soon customers will demand clean transport…’ (EcoClipper website.)
If you are interested in joining the second round of investment contact Captain Jorne Langelaan and the EcoClipper office via the investment form. If you are interested in taking part in the sailing revolution here is a great article by Jess Clay of EcoClipper that includes a section on sail cargo.
I set up Clarity & Hart as part of the ecological concern of my total work. The amazing team at C&H advises on communications, creates designs and provides tracking. We also design websites from scratch, e.g. www.grayhoundshipping.com. We are proud to have collaborated with sail cargo companies in Scandinavia, the Netherlands, the UK and Central America. I am also co-founder of Guild of Ships, a bookings and circular economy platform that serves the sail cargo/travel sector.
This is such a blast. The playing by Ellie Fagg, Tom Norris, Dorothea Vogel and Orlando Jopling is world-class and there is advice on food and wine to go with the music! The Raz Club is for people who enjoy great music, food, wine and the company of others. It’s a way of coming together with like-minded people to enable musicians to keep on making music and sharing it with others. I’m honoured to be there with the wine writer Nina Caplan.
I set up Clarity & Hart in 2020 as part of the ecological concern of my total work. Sail is a logical solution to transport in the climate crisis; wind is free and sail technology is extraordinary. C&H is a Business Support Agency for the sustainable maritime shipping sector. We do communications, websites and booking systems. We are proud to have worked with sail cargo and passenger companies in Central America, Sweden, the Netherlands and the UK. We do communications, graphic design and websites (e.g. www.grayhoundshipping.com). We also make bespoke booking systems (e.g. www.grayhoundventures.com) that are clear, creative and future-proof. Contact us to collaborate in 2024/25.
Not only did the team at Clarity & Hart produce an amazing and effective website for us. The process of developing the site, its purpose and functions, made us understand a lot of things about our business that we simply hadn’t thought of before. Clarity & Hart also helped us answer the most important question of all, and that is not WHAT we should communicate, but WHY we should communicate.
Oskar Hejll, Director, Grayhound Shipping Ltd
I am co-founder of Guild of Ships (GOS) with Wille Christiani and Anthony Griffith. GOS is a bookings and circular economy platform for sailing ships. Guild of Ships is a growing team and a growing concern which is attracting interest across Europe. Currently, we do passenger bookings and provide a referral system whereby ships earn commission from each other. Future plans include eco sail cargo bookings. We are currently in a trial with the amazing team at Classic Sailing, processing the sale of voyages on Grayhound booked via the Classic Sailing website.
Bill gives the introductory talk for this live-streamed recital given by undergraduates at Imperial College, London. He shares the background to the pieces, including a little about Liszt’s relationship with the writer, Comtesse Marie d’Goult, pen-name Daniel Stern.
Bill was delighted to chat to Jonathan James about mountain hares and the composition process for Timidus. Timidus was funded by a Finzi Scholarship. Very happy to share a listing with Alice Barron!
Michael has been running a series about musicians in South London, and the effect of the pandemic on their working lives.
As part of the BBC’s annual Contains Strong Language spoken word festival, Elizabeth Alker talked to writer Helen Mort about her musical collaborations, including The Singing Glacier. Composer Sophie Cooper revealed a new piece written in response to one of Helen’s poems. The programme included a clip from The Singing Glacier in the version for modern violin and piano, featuring Flora Curzon, violin.
During the first lockdown these radio programmes included thoughtfully-curated poetry, readings and songs, featuring members of the congregation. As well as contributing to these, Bill was happy to feature in the September – November newsletter.
Bill was commissioned by MishMash Productions to write a trio using just vocal sounds and body percussion for this fantastic show. Bill chats with cellist Sophie Rivlin about the process. An excerpt from the ‘Grumpy Trio’ is included.
Nine poems written during the first nine days of ‘lockdown’ in the UK . Three lines in each poem, nine syllables in each line, creating ‘999’ for the state of emergency and constraint. Set to music for two voices and cello. Songs for strange times. Recording to follow.
The first in a new series of works about the wind. It designs the shapes of rocks and trees, and whirls the ice in turf digs. The prevailing wind in the UK is from the Southwest. Climate warming is changing this. When planting a tree you would spread the roots to the Southwest so that it might stand for centuries to come. Which way to spread the roots now?
Knoydart is the uppermost of the peninsulas that make up the Rough Bounds in Northwest Scotland, an area intruded by deep sea lochs (including Scotland’s deepest, Loch Morar) and characterised by mountainous horizons. They overlay each other like lines of music, and the striations in the rock provide other melodies. Work in progress.
Concert available on YouTube. Bill gives an introductory talk (starting at 00:48) about the collaboration between Beethoven and violinist Franz Joseph Clement that produced this radiant and intimate concerto. I Musicanti perform it in an arrangement by Carl Hinde for string quintet, with soloist Tamás András.
Part of the Science and Art series. Poet Helen Mort and Physical Geographer Kathryn Adamson share their experiences of East Greenland and discuss how science and art can interlock to communicate the effects of climate change. Featuring an extended extract from The Singing Glacier.
Glinka, Ruslan and Lyudmila Overture; Prokofiev, Violin Concerto No. 1 with soloist, So-Ock Kim; Stravinsky, Firebird (1945). An all-Russian programme featuring one of music’s sublime endings – Prokofiev’s Violin Concerto no. 1, with acclaimed violinist So-Ock Kim.
Cancelled due to Covid-19
‘Lamb’ is a new film by Nashashibi/Skaer with a soundtrack created by Bill, mezzo soprano Olivia Ray and Rosalind Nashashibi. The footage from a lambing shed was shot by Lucy Skaer on Lewis and Harris in the Outer Hebrides.
Listen here to the premiere given by Farnborough Symphony Orchestra on 22 January 2022, recorded by Haresh Patel.
A Finzi Scholarship project. Inspired by Bill’s solo camping trips looking for Mountain Hares in Scotland. For orchestra (2fl,2ob,2cl,2bn; 4hn,2tpt,0,0; timp incl. stones; strings). There is a version in progress for violin, cello, piano and clarinet. Bill also wrote a travel essay about the process of travelling and composing in the Cairngorms called Disco Ball – Mountain Hare: composing in the Cairngorms.
Over the course of his two trips in the Cairngorms Bill connected with these elusive animals. He also saw golden eagle and red deer. Disco Ball is inspired by the space, the movements of the hares themselves and his experiences in this large subarctic area. The second movement in particular reacts to the power of the wind.
(The Mountain Hare, Lepus timidus, is a survivor from the last ice age. It is related to Arctic and Greenland hares. It thrives in the northern belt stretching from Scandinavia to Siberia. There are isolated communities in the Alps, Ireland and Scotland. The Brown Hare, Lepus europaeus, arrived in Ireland and the UK thousands of years later.)
A collaborative response to glaciers in East Greenland.
Commissioned by The Little Baroque Company to celebrate its 10th anniversary.
In 2016 Bill went to Kulusuk, East Greenland with the poet Helen Mort for an exploratory climbing expedition. They were joined later by the film-maker Richard Jones.
The piece combines instrumental music by Bill, new poetry written and spoken by Helen and film taken by Richard and others in the team.
It has been performed live at Poetry in Aldeburgh and Totally Thames festivals, the Daniel Corkery Summer School, the Manchester Metropolitan University Place Writing Festival and featured on the RAH! Podcast at Manchester Metropolitan University. There are versions for 12 piece baroque orchestra, 4 piece baroque orchestra, and – as featured here – modern violin with piano.
This recording features Flora Curzon on modern violin and Bill on piano. It reprises their performance with Helen at the Daniel Corkery Summer School in 2017.
In 2019 Hercules Editions published Helen’s poems as The Singing Glacier, including a conversation between Helen and Bill, some of the musical score, paintings by Emma Stibbon RA, and an essay by the literary geographer, David Cooper.
The Singing Glacier also exists as a schools education project including: word and poetry challenges devised by Helen, two Greenlandic bone games purchased in Kulusuk, musical composition games devised by Bill, and the short film below, created by Richard to inspire children (and adults!) featuring Matt and Helen Spenceley, our amazing guides from Pirhuk – Greenland Mountain Guides.
Written to raise the profile of the Kickstarter crowdfunding campaign for The Singing Glacier. For violin, viola and glockenspiel (keyed or normal). There is an additional performance option for this piece. After the second time through it can be repeated many times. Each time, more notes are omitted, at the players’ discretion. This can be partnered by a small ice block (or ice sculpture) placed above a cymbal on a stand, so that the drips fall onto the cymbal surface.
In 2014 Bill walked up Mount Kilimanjaro in Tanzania. While sitting beside his tent below the summit he watched three pairs of white-necked ravens duelling mid-flight. This included them flying in mirror formation – one upside down under the other – parting, then soaring directly towards each other before clasping talons mid-air. This aerial display in the oxygen-poor air at c. 5800 m left a lasting impression and inspired the poem, Thin Air Living. He set this for SATB choir, solo soprano and solo piano for a commission from King’s School, Worcester.
The Particles series is about the viscosity of air. It sparkles and dances around us, pushing up against everything we see. Particles 1, 2 & 3 exist in two versions. The first is for solo violin with different orchestral sections (Particle 1 – double basses; Particle 2 – violas; Particle 3 – second violins). The second is for violin, cello, piano and clarinet, arranged for Alisios Camerata of Zagreb. There is also an arrangement of Particle 2 for youth orchestra, written for London Music Masters, in which professional tutors play the demanding passages.